Extract from Simon Grigg's liner notes for Rewind the Hateman
"The Picassos arrived in 1988 and Auckland, and indeed, New Zealand, had seen nothing like them.
Whereas most of their influence-mashing contemporaries combined two, or at most, three of the above musical revolutions together, Hallelujah Picassos took absolutely no prisoners and slammed them all together in an almost violent and ruthless amalgam of joy.
And you either loved them or hated them. There was no middle ground. Harold's performance and Bobbylon's sweet noise didn't offer you the non-committal option.
I loved them, and found that it was both exhilarating and exhausting to be in their presence. You thrilled at the energy and seductive melody, but found yourself utterly shattered as they walked off... and I'm not a dancer. I can but try to imagine how the band felt.
In almost any other nation they'd likely have been adopted by the fringes of the mainstream and done quite well given their look and sound, but in an era when airplay for their sort (y'know: NZ bands) on any radio stations outside of student radio was non-existent, their sales remained steady but unspectacular, driven mostly by live shows.
But their influence was undeniable, and a generation of local acts who refused to accept the boundaries that those Pink Floyd and Dire Straits-loving critics defined owe massively to the Picassos, often without realising exactly how much they broke down the barriers of musical conservatism in Auckland and beyond.
However their catalogue has languished since then, being largely unavailable, aside from a track here and there, throughout the 21st century.
Until now... and this, I guess, is as good a place as any to encourage you to take a leap into the recorded work of one of the most important New Zealand acts of their time.
Enjoy. I will."